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Enigma variations, Nimrod, Eward Elgar, Lux Aeterna

SDG

3:44	Est. Play Time
45	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto I	14	0	2	9	100%
Alto II	12	0	2	9	98%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto I	14	0	2	9	100%
Alto II	12	0	2	9	98%
Tenor I	14	0	2	7	95%
Soprano II	14	0	2	8	93%
Tenor II	12	0	2	9	93%
Bass I	12	0	1	9	91%
Soprano I	15	0	2	9	91%
Bass II	14	1	1	8	89%

Abendlied, Bleib bei uns, denn es will Abend werden, Josef Rheinberger, opus 69, 3.

SDG

3:09	Est. Play Time
49	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano I	10	0	1	4	94%
Soprano II	11	0	3	5	88%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano I	10	1	4	94%
Soprano II	11	3	5	88%
Tenore II	14	3	6	88%
Basso	13	1	4	86%
Alto	10	2	4	82%
TENORE I	9	1	5	76%

O, the deep, deep love of Jesus. Liefde was het, onuitputt'lijk', Joh. de Heer 548.)

SDG

1:17	Est. Play Time
14	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Manual I	9	0	1	5	100%
Manual II	7	0	0	5	100%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Manual I	9	1	5	100%
Manual II	7	0	5	100%
Pedal	10	1	5	100%
S A	9	1	5	94%
T B	12	1	5	94%

And can it be that I should gain, Thomas Campbell, Charles Wesley, TUNE:SAGINA

SDG

0:01	Est. Play Time
33	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		14	3	1	6	98%
T B		13	0	1	6	94%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		14	3	1	6	98%
T B		13	0	1	6	94%

Abendlied, Josef Rheinberger.

SDG

3:09	Est. Play Time
49	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano I	10	0	1	4	94%
Soprano II	11	0	3	5	88%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano I	10	1	4	94%
Soprano II	11	3	5	88%
Tenore II	14	3	6	88%
Basso	13	1	4	86%
Alto	10	2	4	82%
TENORE I	9	1	5	76%

Enigma Variations, No. 9 Nimrod, just vocals, choir, Lux Aeterna, Edward Elgar.

SDG

3:44	Est. Play Time
45	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto I	14	0	2	9	100%
Alto II	12	0	2	9	98%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto I	14	0	2	9	100%
Alto II	12	0	2	9	98%
Tenor I	14	0	2	7	95%
Soprano II	14	0	2	8	93%
Tenor II	12	0	2	9	93%
Bass I	12	0	1	9	91%
Soprano I	15	0	2	9	91%
Bass II	14	1	1	8	89%

220. Beveel gerust uw wegen.

SDG

0:44	Est. Play Time
32	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano, Bas		16	0	3	3	95%
Piano, Alt		12	0	1	2	95%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano, Bas		16	0	3	3	95%
Piano, Alt		12	0	1	2	95%

There is a gate that stands ajar. Ik zie een poort wijd open staan, waardoor het licht komt stromen, Joh. de Heer 140).

SDG

0:48	Est. Play Time
18	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		11	8	1	3	100%
Tenor/Bass		10	0	1	3	94%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		11	8	1	3	100%
Tenor/Bass		10	0	1	3	94%

36. O man van smart (oude melodie)

SDG

2:10	Est. Play Time
49	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		13	0	2	2	92%
T B		14	0	1	3	92%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		13	0	2	2	92%
T B		14	0	1	3	92%

26. Lof aanbidding, dank en ere

SDG

1:09	Est. Play Time
20	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		13	0	2	2	90%
T B		13	0	1	3	90%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		13	0	2	2	90%
T B		13	0	1	3	90%

'k Heb Jezus lief, hört Jesus ruft kommt alle her, Ernst Heinrich Gebhardt. Arrangement: Gertim.

SDG

1:43	Est. Play Time
41	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Manual I	9	1	1	3	100%
Oboe	9	0	2	3	100%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Manual I	9	1	1	3	100%
Oboe	9	0	2	3	100%
Pedal	11	0	2	3	98%
S A	9	1	1	3	94%
T B	17	0	4	3	94%

Zu Bethlehem geboren, arrangement Gertim, GrandOrgue recording, sampleset Giubiasco by Piotr Grabowski. Arrangement: Gertim.

SDG

0:55	Est. Play Time
23	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Manual I	12	0	1	6	100%
Manual II	7	0	1	5	100%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Manual I	12	1	6	100%
Manual II	7	1	5	100%
Pedal	10	1	5	100%
S A	12	1	6	90%
T B	15	2	6	90%

213. Onze God wij willen zingen. (= 26)

SDG

1:09	Est. Play Time
20	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S/A		13	0	2	2	90%
T/B		13	0	1	3	90%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S/A		13	0	2	2	90%
T/B		13	0	1	3	90%

Libera me, Domine, de morte aeterna. Gabriel Fauré.

SDG

1:09	Est. Play Time
35	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	17	26	7	3	100%
	16	7	3	1	100%
Baryton	9	0	1	6	91%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	17	26	7	3	100%
	16	7	3	1	100%
Baryton	9	0	1	6	91%

177. W' aanbidden U! Wees, Heer, geprezen!

SDG

0:42	Est. Play Time
11	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		11	0	1	3	94%
T B		13	0	0	4	94%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S A		11	0	1	3	94%
T B		13	0	0	4	94%